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obviously, the melody of Priyadarshan’s films are still reel under Pritam’s overshadow the composer was at helm of the director’s previous flicks like Garam Masala , Bhagam Bhag, Bhool Bhulaiyaa, which probably explains the conspicuous similarity between MBPA’s Ishq subhanallah and Garam Masala’s titular runaway success. Though the combined vocal efforts of Alisha Chinai, Neeraj Sridhar and rapper Bob are most admirable, lack of originality ruins this one. DJ Amyth’s remixed avatar of Ishq is a racier, techno-overload potion and doesn’t do anything for its patient listener.Husky charmer Sunidhi Chauhan gets into offensive mode to do justice to the equally fiery Shamma Shamma. Its hounding, thumping, dhinchak beats tied with rude lyrics are calculatingly in-your-face and decidedly off-putting.

no matter which after this would seem like a greeting relief. And so Udit Narayan and Shreya Ghosal’s breezy rendition of the honey-glazed pop-flavoured love song, Maine hawa ke paron mein is just that. In another mellowed-down version of the same, Shaan replaces Udit Narayan to blend in his brand of sugariness and does a good job of it.A fraction of its gap strain is reminiscent of A R Rahman’s poignant theme for Mani Ratnam’s Bombay and later evokes memories of Zubeidaa’s [Images] Mehendi hai rachnewali (by Rahman again). obviously, Rahman looms large over to produce average results in the Alka Yagnik and Shaan-rendered Jaana hai tujhko, a archetypal wedding number.

Alternately lacklustre and terrible, Mere Baap Pehle Aap is not the class of folder which will find itself on anyone’s location list.